basrollerinde robert de niro ve dakota fanningin rol aldıgı muhtesem bi gerilim filmi.annesini kaybeden kucuk bi kızın kendisine hayali arkadaslar yaratmasi ile baslar.olayın guzelligi ilerleyen dakikalarda ortaya cıkar.de niro neyse ama dakota fanning bu filmle kendini kanıtlamaktan otelere gitmiştir.inanılmaz derecede karizmatik bi cocuk olduguna kannat getirtmiştir.

<bkz: saklambaç>

where are we? what the hell is going on?
the dust has only just begun to fall,
crop circles in the carpet, sinking, feeling.
spin me round again and rub my eyes.
this can't be happening.
when busy streets a mess with people
would stop to hold their heads heavy.

hide and seek.
trains and sewing machines.
all those years they were here first.

oily marks appear on walls
where pleasure moments hung before.
the takeover, the sweeping insensitivity of this
still life.

hide and seek.
trains and sewing machines. (oh, you won't catch me around here)
blood and tears,
they were here first.

mmm, what you say?
mm, that you only meant well? well, of course you did.
mmm, what you say?
mm, that it's all for the best? ah off course it is.
mmm, what you say?
mm, that it’s just what we need? and you decided this.
mmm what you say?
what did she say?

ransom notes keep falling out your mouth.
mid-sweet talk, newspaper word cut-outs.
speak no feeling, no ı dont believe you.
you don't care a bit. you don't care a bit.

ransom notes keep falling out your mouth.
mid-sweet talk, newspaper word cut-outs.
speak no feeling, no ı don't believe you.
you don't care a bit. you don't care a bit.

you don't care a bit.
you don't care a bit.
you don't care a bit.
you don't care a bit.
you don't care a bit.

<bkz: imogen heap>

biri gerilim filmi mi dedi?
aman yarabbim..
ufakligin sadece tipinden bile tirsabilecekken, robert amcamizin mikemmel oyunculugu da buna eklenince...filmin sonuna kadar düsmeyen bir tempoda cigliklar atiyorsunuz. sebebi yaninizdaki sürekli ciglik atmaya meyilli insan da olsa, yine de güzel(kolumu zor kurtardim. iyi dayak yedim o gece).

yalniiz, filmin sonundan basina gidilmiyor...üzgünüm, ama böyle iste.
robert amca karisini öldürmüs..hic mi parmak izi kalmamis...hadi parmak izi kalmiiis, kriminal polis hic mi farketmemis otopsi akabinde kadinin daha evvelden bogularak öldürüldügünü...

bunlar bizi hic polisiye dizi izlemiyor saniyor, ona üzülüyorum aaa...bu da film o da film. ona göre cekin canim!

yine de, izlenilesi korku filmlerine yerlestirin siz bunu. tirsim tirsim tirsmalik, evet.

oyunculari cok iyi secilmis filmdir. ayrica gerilim ayari oldukca iyi ayarlanmistir. japon korku filmlerindeki gibi * durduk yerde honnkkkk diye bir karakafa belirip insanin bos anina denk getirip kalp krizinden goturmeyen bir gerilim/korku filmidir.

<bkz: nonpoint>

forearms can't cover up lies in hiding.
counting makes the only sound, while ı wait for hours to be found.
so much for making up rules while we're playing.
who cares about the rules anyway?
they're for mindless fools and child's play.
this time, yeah this time.
ıt's my turn, it's not your turn.

counting helps the hiding, but what ı seek ı'm not finding.
ready or not.

why should it make sense?
why are you so unspontaneous?
and why does your way sound the same as yesterday.
so ı'll shift and bit again.
draw a mark on your skin that turns you the color pink.
what exactly will they think of you?
this time, yeah this time.
ıt's my turn, it's not your turn.

counting helps the hiding, but what ı seek ı'm not finding.
ready or not.

why are you jealous, over bearing, verzealous?
what for? ıs it the lost memory of all those games with me?
all those games you played on me...

counting helps the hiding, but what ı seek ı'm not finding.
ready or not.

gayet başarılı bir gerilim filmidir. ı am sam dakota fanning'in bir diğer güzel filmidir. o filmi de şiddetle tavsiye ederim. ama o bir dram filmidir. bu film gibi gerilimli değil.